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The Assamese feature 'Rador Pakhi' has won a Special Jury Award at a Moscow film festival, marking a notable international recognition for regional Indian cinema. Inspired by an Assam-based writer living with spinal muscular atrophy, the film has drawn attention for its portrayal of resilience, ambition and the human cost of disability.
The Assamese feature film Rador Pakhi has won a Special Jury Award at a Moscow film festival, giving fresh international visibility to regional Indian cinema. Inspired by an Assam-based writer living with spinal muscular atrophy, the film has been recognised for turning a deeply personal story of resilience into a work with cross-cultural resonance.
Assamese feature film 'Rador Pakhi' has won a Special Jury Award at a Moscow film festival, marking a notable international recognition for regional Indian cinema. Inspired by an Assam-based writer living with spinal muscular atrophy, the film draws attention to disability, resilience and the power of storytelling beyond metropolitan film circuits.
President Donald Trump’s latest efforts to force an end to the war in Ukraine have produced tactical gains for Vladimir Putin without delivering a durable peace, according to the thrust of the reporting and analysis surrounding the issue. The result, critics argue, is a diplomatic imbalance in which Moscow is rewarded with leverage while continuing to press its military advantage on the battlefield.
President Donald Trump’s approach to the Russia-Ukraine war is drawing scrutiny for potentially giving Vladimir Putin diplomatic and strategic advantages without securing a durable ceasefire. As Washington presses for a deal, Moscow is signaling that it intends to keep fighting unless any settlement meets its own terms.
Volodymyr Zelensky has signaled that Ukraine could accept a ceasefire limited to energy infrastructure, but Moscow has so far offered little public response. The Kremlin’s restraint suggests it is weighing the diplomatic optics, battlefield implications and bargaining leverage of any partial truce before committing to a position.
The recently concluded LURU Screendance Festival placed a sharp focus on the changing relationship between dance and cinema, underscoring how the camera can do more than record movement: it can reinterpret it, preserve it, and turn performance into an archive. The festival’s conversations and screenings highlighted screendance as a growing artistic form in India, where choreography, editing, framing, and sound design increasingly shape how audiences experience movement.
Avinash Arun’s 'Prahaar: The Ujjwal Nikam Story' arrives with clear intent and a strong central idea, but the film is caught between its artistic aspirations and commercial instincts. Sumit Roy’s writing gives the drama a meaningful spine, yet the execution often blunts its impact, leaving a film that is thoughtful but uneven.
Actor and investor Mark Wahlberg has signaled a pragmatic openness to artificial intelligence in filmmaking, saying the technology is acceptable when it is used to “enhance what you’re doing” rather than replace human craft. His comments add to a widening industry debate over how far studios, performers, and investors should go in adopting AI tools, including the possibility of digital replicas that could preserve a star’s image and performance after retirement.
Balaji Mohan’s ‘Nayyi Navelli’ arrives with the promise of a genre-neutral offering but steadily loses its footing as it drifts into mythology and melodrama. What begins as an ambitious tonal experiment often plays like an overamplified television soap, with decibels replacing depth and narrative coherence giving way to spectacle.
As Drishyam The Conclusion continues to perform strongly at the box office, director Abhishek Pathak is drawing attention for more than commercial success. In recent remarks, he has explained why the Hindi film deliberately diverged from the Malayalam original, how he wrote comic lines for Gaitonde, and why the internet’s meme culture has become part of the film’s wider life cycle.
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